It is exactly in this moment, from April 13 to 19, 2026, that Milano Art Week takes place – a week when contemporary art extends far beyond the walls of museums and galleries. Alongside major exhibitions and art fairs, there are live events, projects in the streets, special programs, and small artistic interventions scattered across the city. Although many people mainly associate April in Milan with Design Week, Milano Art Week offers a completely different perspective – quieter, more art-focused, more connected to the urban landscape, and built around less obvious encounters with culture. The event is now in its tenth edition, and this year’s program looks especially full.

What Is Milano Art Week and When Does It Take Place?

Milano Art Week 2026 is a weeklong program devoted to contemporary art, taking place in Milan from April 13 to 19, 2026. During that time, more than 400 events organized by 230 participants are scheduled across the city.

The event is backed by the Comune di Milano, with coordination handled by the Arte Totale ETS association. In practice, that means a week in which art fairs, exhibitions at major institutions, commercial gallery openings, live events, and special projects all happen at the same time in different parts of Milan.

This year’s edition looks especially interesting for several reasons. Milano Art Week is celebrating its tenth edition, miart is turning thirty, and Paris Internationale is coming to Milan for the first time ever outside France.

It is also worth paying attention to the dates. Right after Milano Art Week comes Salone del Mobile and Fuorisalone, in other words Milan Design Week. In 2026, the furniture fair is scheduled for April 22-27, so the two events fall very close together. For anyone staying in the city longer or planning a more flexible trip, that can make for a very convenient and interesting combination.

miart: an art fair for collectors – and not only for them

miart 2026 is the thirtieth edition of one of the most important modern and contemporary art fairs in Europe. This year, 160 galleries from 24 countries will take part, and the fair will be held in a new location in the CityLife district.

The fair runs from April 17 to 19, with a VIP preview the day before, on Thursday, April 16. The venue will be the South Wing of Allianz MiCo – a modern, three-level space overlooking CityLife. This change of address from previous editions is not accidental. The more intimate, compact format is meant to be a deliberate shift in pace rather than a compromise.

This year’s theme – New Directions: miart, but different – refers to the innovative path saxophonist John Coltrane took in 1963, the centenary of his birth. You do not have to be interested in jazz to understand the idea behind it. It points instead to openness, dialogue, improvisation, and an element of surprise.

Tickets

Advance online ticket prices:

• regular ticket – €20
• reduced ticket – €14 – for college and university students, as well as children and teens ages 4-17
• evening ticket – €10 – on Friday and Saturday from 6:00 PM to 8:00 PM, and on Sunday from 5:00 PM to 7:00 PM

Practical information

Exhibition sections: what to look for and where

The miart 2026 program is divided into four main sections, each showing a different side of the fair.

Gallerie d’Italia and free admission

Anyone with a miart ticket gets free entry to Gallerie d’Italia at Piazza della Scala 6, where the caveau – a vault normally closed to visitors – is opened during the fair days from April 17 to 19. Inside, around 500 works from the Intesa Sanpaolo collection are kept on sliding panels. During Art Week, works by Robert Ryman and Mario Schifano are on view there. Admission is free with a miart ticket, but advance booking is required through gallerieditalia.com or by email at milano@gallerieditalia.com.
An English-language guided visit is available Friday through Sunday at 1:00 PM.

Top 5 exhibitions at public institutions

During Art Week, most of Milan’s major institutions either open new exhibitions or strengthen their existing programs – below are five worth including in your plan.

Milan is a city that takes exhibitions seriously, and that does not apply only to the center. Pirelli HangarBicocca is on the northern edge of the city, while Fondazione Prada sits a little south of the center.

Anselm Kiefer at Palazzo Reale

Among the most important premieres of this year’s Milano Art Week, Le Alchimiste at Palazzo Reale stands out in particular. Anselm Kiefer builds an exhibition here around matter, alchemy, and history, and the overall effect is unmistakably monumental. That, in itself, is only one reason to plan a visit. At the same time, Palazzo Reale is also hosting other major exhibitions, including the Robert Mapplethorpe retrospective Le forme del desiderio, with more than 200 works, and Metafisica / Metafisiche.

Cao Fei at Fondazione Prada

At Fondazione Prada, beginning April 9, you can see Dash, a new project by Chinese artist Cao Fei. It is an exhibition built around multimedia and video, raising questions about the relationship between people, technology, and the environment. The institution itself has long been one of the strongest points on Milan’s art map, and its building, designed by Rem Koolhaas, is worth visiting even apart from the current program.

Rirkrit Tiravanija at Pirelli HangarBicocca

The House That Jack Built, open since March 26, is a project by the Thai artist built around the intersection of architecture and relational practice. It is presented at Pirelli HangarBicocca, a post-industrial space in a former factory in the Bicocca district in northern Milan. This is one of those places worth visiting not only because of the exhibition itself, but also because of the site and the character of its interior. At the same time, you can also see Benni Bosetto’s first major solo museum exhibition in Italy, and on April 18 take part in events included in the Art Week program.

Admission is free.
Pirelli HangarBicocca is one of the few major institutions in Milan that consistently does not charge admission. During Milano Art Week, it is worth booking a timed entry slot in advance through the official website: pirellihangarbicocca.org.

Entrance: Via Chiese 2, Bicocca metro station (M5).

Chiharu Shiota at MUDEC

At MUDEC, or Museo delle Culture, Chiharu Shiota presents the site-specific installation The Moment the Snow Melts. Thousands of threads descend from the ceiling, with cards suspended between them bearing the names of people who can no longer be met again. It is a work centered on memory, presence, and loss, and at the same time one of those installations that looks completely different in photographs than it does in real space. In Shiota’s case, physically stepping inside the structure is an essential part of the experience.

Andrea Branzi at Triennale

Andrea Branzi. Continuous Present , on view from April 19 to October 4, 2026, traces the work of one of the central figures of Italian design. The exhibition is curated by Toyo Ito, the Japanese architect and Pritzker Prize laureate.

Ghost Track: art hidden inside historic museums

Ghost Track is one of the most interesting ideas in this year’s Milano Art Week. Instead of creating a separate exhibition, contemporary artists enter into dialogue with the permanent collections of historic museums, sometimes so discreetly that at first glance they are almost unnoticeable.

So this is not about loud, spectacular installations, but about subtle interventions in places not usually associated with contemporary art, such as the natural history museum or the archaeological museum. These are more like visual insertions, shifts, and question marks hidden among the exhibits than a conventional exhibition in the traditional sense. That is exactly why Ghost Track feels a little like visiting a gallery and a little like following traces inside a space that seems familiar at first.

Museums and sites included in Ghost Track:

For a visitor, that means something simple: you go to Castello Sforzesco or the aquarium, and your regular visit comes with something extra. The project is included free with the Milano Museo Card.

Paris Internationale in Milan

Paris Internationale, the independent art fair platform founded in Paris in 2015, is leaving France for the first time and making its Milan debut from April 18 to 21, 2026.

The choice of venue says a great deal about the character of the project. Palazzo Galbani, at Via Fabio Filzi 25R, is a seven-story modernist building from 1956-1959 associated with Pier Luigi Nervi. The building is currently undergoing redevelopment, so the fair is literally taking place inside an active construction setting. But that is not an accidental inconvenience. It is part of the idea itself. From the beginning, Paris Internationale has chosen unconventional, historic spaces in transition and treated them as part of the overall experience.

The format is deliberately intimate: around 34-35 galleries across 2,000 square meters, with quality clearly chosen over quantity. Participating galleries come from Milan, including Clima, Francesca Minini, Lia Rumma, and Ordet, as well as from Paris, Zurich, and other European cities. The VIP preview is on April 17, and the fair opens to the public from April 18 to 21.

Palazzo Galbani is right by Stazione Centrale and Palazzo Pirelli, within walking distance of the main train station. The full list of participating galleries and the program is available at: parisinternationale.com.

Milano Art Week in the streets: live events, parades, and ArtLine

Some parts of the program, such as the motorcycle parade and the unveiling of the sculpture in CityLife Park, are completely free and move beyond the walls of institutions.

Milano Art Week is not limited to museums, galleries, and fairs that require a ticket or accreditation. A significant part of the program takes place in the urban space and makes it possible to plan an entire day without paying for admission. A few highlights are worth mentioning here:

Mototrombe (April 17) – a city sound procession conceived by Aronne Pleuteri and led by composer Dario Buccino. Its premise is simple: motorcycle exhausts become musical instruments. Absurd? Only at first glance. In reality, it is a loud tribute to Luigi Russolo and his Futurist “art of noises,” thrown directly into the contemporary space of Milan. It is one of those things you should hear – and feel – at least once.

Meeting point and start: Piazza Duca d’Aosta, the square in front of Milano Centrale, at 5:00 PM. 17:00.

Jeremy Deller’s Octospider (April 19) – the final element of the ArtLine collection, a surreal hybrid of spider and octopus, a giant eight-legged structure that could easily become a new symbol of the district.

Official unveiling with the artist and city authorities: 12:00 PM, CityLife Park. The easiest stop is Tre Torri on the M5 line.

On April 18, curators Katia Anguelova and Roberto Pinto lead two tours of the full ArtLine collection, at 11:00 AM and 3:00 PM. If you want to understand why giant sculptures stand in the park and what they mean, this is the best possible opportunity. Admission is free and no registration is required – you only need to show up by Hand and Foot by Riccardo Previdi, or near Tre Torri station, and look for the group with ArtLine badges.

It is also worth knowing that openings at commercial galleries take place from Monday to Thursday, April 13-16, from 6:00 PM to 9:00 PM, and admission is free. This is the best time for gallery hopping: you walk in, look around, sometimes get a glass of prosecco, and then move on to the next gallery a block away. It works especially well in Brera, Isola, and Porta Romana.

How to plan Milano Art Week: a practical 2-3 day itinerary

With more than 400 events, selection is the key. Below is a suggested three-day plan for anyone who wants a broad view of the program without feeling like they are sprinting from one stop to the next.

Before arriving, it is worth checking the digital program at digital.milanoartweek.it, where everything can be filtered by day, place, and category. In practice, it works best to choose a few priorities for each day and leave some room for spontaneous decisions.

Day 1: miart and Gallerie d’Italia

The first day is best built around miart, so it makes sense to buy your ticket online in advance and plan your visit for the morning or around midday at South Wing Allianz MiCo. The easiest way to get there is on the M5 metro to Portello. After the fair, that same ticket gives you free entry to Gallerie d’Italia, where a special project curated by Nicola Ricciardi is on view during Art Week. The evening is best left for one of the openings at a commercial gallery – the current schedule is easiest to check on the Milano Art Week website.

Day 2: institutions in the center

The second day can be devoted to the most important institutions located closer to the center. In the morning, it is worth planning a visit to Palazzo Reale, where the exhibitions by Anselm Kiefer and Robert Mapplethorpe alone can easily take up several hours. In the afternoon, the natural continuation is Triennale, with Andrea Branzi. Continuous Present. . Between the two, a walk through Brera fits perfectly, especially since many commercial galleries there remain open free of charge.

Day 3: Ghost Track and northern Milan

The third day is best started at Castello Sforzesco, where you can combine Ghost Track with the regular museum collections. After that, you can head north to Pirelli HangarBicocca, where Rirkrit Tiravanija’s project is on view. In the evening, on April 18 or 19, you can finish the day in CityLife, especially if the unveiling of Octospider is part of your plan.

If you have less time, a good shorter version is to combine Palazzo Reale, Ghost Track at Castello Sforzesco, and evening gallery openings. That still gives you a real sense of Milano Art Week, even without visiting miart.

Where to stay during Art Week: book early

During Art Week and Design Week, hotel prices in central Milan reach levels comparable to high season, so it is worth booking well in advance.

That applies across the center, but especially to:

The closer you get to the dates, the harder it becomes to find solid options under €150-200 per night. During this week, Milan’s hotel market behaves much like it does during Fashion Week.

FAQ – frequently asked questions about Milano Art Week

For more information, see the sources:

In 2026, the palace plays a special role in the cultural program of the Milan-Cortina Winter Olympics. From a Robert Mapplethorpe retrospective to the major Macchiaioli exhibition and the Metafisica/Metafisiche project, which connects Palazzo Reale with other city institutions in an artistic trail spanning 2,000 steps of art.

Basic Information

Address and contact details

How to get there

• Metro: Duomo (M1 red line, M3 yellow line)
• Tram: 2, 12, 14, 16, 19 (Duomo stop)
• Bus: 54, 73 (Via Larga stop)

Opening Hours [2026]

Last entry one hour before closing (30 minutes for free exhibitions).

Holiday hours may vary. Always check the current calendar on the official website before your visit.

Tickets and Prices [2026]

Palazzo Reale is primarily a space for temporary exhibitions. This means you pay separately for each exhibition you want to see. There’s no single admission ticket to the palace, and prices vary depending on the show.

Specific prices depend on the exhibition; the ranges above are approximate.

Where to buy tickets?

Online reservation is not mandatory but strongly recommended. On weekends and holidays, entry without advance reservation is not guaranteed, even if you arrive first thing in the morning. You can buy tickets through:

Add the online booking fee to the ticket price (usually €1-2).

Is the Milano Museo Card Worth It?

If you’re planning intensive sightseeing in Milan, the Milano Museo Card (annual pass) provides free entry to all Municipal Museums and a 20% discount on exhibitions at Palazzo Reale. For visitors staying just a few days, the Milano City Pass is a better value, combining transportation and major attractions. Read more about available options in the article on discount cards in Milan.

The Milano City Pass is available on Tiqets and GetYourGuide.

Buy at Tiqets Buy at GetYourGuide

History of the Royal Palace

The first mention of a building on this site dates back to the 10th century, when Palazzo del Broletto Vecchio stood here as the seat of city government. The name broletto originally meant an enclosed area, but in Milan it became synonymous with city hall.

The real transformation came under Habsburg rule. Between 1770 and 1778, architect Giuseppe Piermarini – the same one who designed Teatro alla Scala – converted the medieval complex into a grand neoclassical residence. The monumental halls were created during this period, including the famous Sala delle Cariatidi.

Napoleon Bonaparte, who entered Milan in 1796, made Palazzo Reale his official residence. He slept here, threw balls here, and in 1805 proclaimed the Kingdom of Italy here. The palace witnessed grand receptions, diplomatic audiences, and the most important political events of Lombardy.

The Night That Changed Everything

August 15, 1943 proved to be one of the most tragic dates in Milan’s history. 140 Lancaster bombers from the British Royal Air Force dropped over 500 tons of bombs on the city. The target was the Duomo, but hits struck La Rinascente, Teatro alla Scala, and Palazzo Reale.

One of the spezzoni incendiari (incendiary bombs) landed on the roof near the Sala delle Cariatidi. Fire consumed the wooden trusses, causing the vault to collapse. The temperature was so high that it changed the structure and color of the stucco. Frescoes by Appiani were lost, including the monumental Apoteosi di Ferdinando I by Francesco Hayez.

But the worst was yet to come. The palace remained roofless for four years. Rain, snow, and wind caused more damage than the bombs themselves. It wasn’t until 1947 that the Soprintendenza ai Beni Culturali began preservation work.

Sala delle Cariatidi: The Heart of the Palace

This is the most extraordinary space in Palazzo Reale and one of the most photographed rooms in Milan. The Sala delle Cariatidi (Hall of Caryatids) measures 46 meters long and 17 meters wide, totaling 782 square meters. For comparison, the famous Galerie des Glaces at Versailles has 766 square meters.

Piermarini designed it between 1774 and 1778 as a ballroom, combining two earlier halls: the Sala dei Festini and Sala degli Imperatori. It owes its name to the forty caryatids, sculptures of female figures supporting the entablature, created by Callani and Franchi.

A Breathtaking Contrast

This is where the contrast between former splendor and traces of war is most visible. Gilding and delicate stucco sit alongside charred walls and a missing vault. Some of the caryatids have lost their arms and faces. It was decided that the hall would not be fully restored but preserved as a memorial to the horrors of war.

In 1953, Pablo Picasso chose this very location to display his masterpiece Guernica. The painting depicting the Nazi bombing of a Spanish town hung in a hall destroyed by the Allies. The context was devastating, and the connection between the work and the place was obvious.

Exhibitions in 2026

Palazzo Reale is not a museum with a permanent collection like the Pinacoteca di Brera. It’s a space for blockbusters, major traveling exhibitions from around the world. Each year it welcomes hundreds of thousands of visitors, and some shows break attendance records. The Munch exhibition Il grido interiore attracted over 276,000 people.

Metafisica/Metafisiche

January 28, 2026 – Fall 2026

A major project within the cultural program of the Milan-Cortina Winter Olympics. Nearly 400 works from over 150 institutions, including paintings, sculptures, photographs, drawings, architectural models, illustrations, comics, magazines, and vinyl records. The exhibition connects with shows at Museo del Novecento, Gallerie d’Italia, and Palazzo Citterio, creating a trail spanning 2,000 steps of art through central Milan.

Robert Mapplethorpe. Le forme del desiderio

January 29 – May 17, 2026

The first major retrospective of the American photographer in Milan. Previously unpublished, iconic, and controversial works by one of the most important artists of the 1960s-80s counterculture. The exhibition was prepared in collaboration with the Robert Mapplethorpe Foundation in New York.

I Macchiaioli

February 3 – June 14, 2026 (dates may be adjusted)

The first major exhibition in Milan dedicated to the macchiaioli, a group of Tuscan painters who revolutionized Italian painting in the mid-19th century. Over 90 works by Fattori, Lega, and Signorini from Italy’s most important museums. The curators are three of Italy’s leading experts on the movement: Francesca Dini, Elisabetta Matteucci, and Fernando Mazzocca.

Anselm Kiefer. Le Alchimiste

Sala delle Cariatidi, 2026

The German-American artist has prepared a special installation for the Olympics, paying tribute to Caterina Sforza and Milan’s Renaissance tradition as a center of scientific and cultural research.

Always check the current program at palazzorealemilano.it before your trip. Temporary exhibitions have specific dates, and prices and hours may vary depending on the show.

How to Visit Palazzo Reale

How Much Time Should You Allow?

For one exhibition, plan 1.5-2 hours. If you want to see several shows on the same day, allow 3-4 hours. Add time for the café and courtyard.

What to Bring (and What Not to Bring)

There’s a cloakroom on each floor where you must leave:

You won’t be allowed into the exhibition halls with these items. Small handbags and cameras are permitted (unless a specific exhibition has different rules).

Best Time to Visit

Avoid weekends and holidays, especially without a reservation. The quietest times are:

During peak tourist season (April-October) and during Milan Fashion Week (February, September) and Milan Design Week (April), crowds are larger. Book tickets in advance.

Giacomo Caffè: A Break in Royal Style

In the courtyard of Palazzo Reale you’ll find Giacomo Caffè Letterario, a café that’s an attraction in itself. You can enter without an exhibition ticket to escape the crowds in Piazza del Duomo.

The interior combines the aesthetics of a Parisian bistro with the atmosphere of a Viennese café. Upstairs is a tea room where you can browse exhibition catalogs from the past 25 years while sipping Mariage Frères tea.

Practical information:

Palazzo Reale vs. Museo del Duomo
Some tourists confuse these two places. The Museo del Duomo (Cathedral Museum) is indeed located in a wing of Palazzo Reale, but it’s a separate institution with its own entrance, tickets, and opening hours. If you want to see original sculptures from the cathedral, stained glass, and Duomo treasures, buy a ticket to the Museo del Duomo.
Palazzo Reale focuses on temporary exhibitions, while the Museo del Duomo presents a permanent collection related to the cathedral’s history.

Some tourists confuse these two places. The Museo del Duomo (Cathedral Museum) is indeed located in a wing of Palazzo Reale, but it’s a separate institution with its own entrance, tickets, and opening hours. If you want to see original sculptures from the cathedral, stained glass, and Duomo treasures, buy a ticket to the Museo del Duomo.

Palazzo Reale focuses on temporary exhibitions, while the Museo del Duomo presents a permanent collection related to the cathedral’s history.

Visiting with Children

Palazzo Reale is family-friendly:

Is it worth visiting with children? It depends on the exhibition. Painting shows may be less engaging for younger children, but interactive exhibitions or those dedicated to design often include elements for families. Check the description of the specific exhibition before your visit.

The courtyard is a good place for a break if kids get bored. You can step out, relax at the café, and return to the galleries (on the same ticket, as long as you haven’t left the building).

What to See Nearby

Palazzo Reale lies in the heart of Milan, just steps from the main attractions:

FAQ

Palazzo Reale is the perfect escape when the crowds in front of the cathedral wear you out. Step into the courtyard, grab a coffee at Giacomo Caffè, and then immerse yourself in the world of art, where the silence of the exhibition halls contrasts with the buzz of Piazza del Duomo just beyond the wall. And remember: check the current exhibition program before your trip, because what you’ll see depends on when you arrive.

On September 4, 2025, the fashion world lost one of its greatest creators. Giorgio Armani, the man who defined Italian elegance for half a century, passed away at age 91. His death transformed the planned September celebrations of the brand’s 50th anniversary into something completely different, deeply emotional. What was meant to be a joyful celebration became a moving farewell to a master.

In the heart of Milan, at the prestigious Pinacoteca di Brera, an unprecedented event took place. For the first time in the museum’s 200-year history, its halls opened to fashion. The exhibition “Giorgio Armani: Milano, per amore” and the accompanying final Spring/Summer 2026 collection show were not just a tribute to the designer, but a story about how fabric and cut can equal canvas and paint.

The Pinacoteca Opens Its Doors to Fashion – For the First Time in History

For those who aren’t familiar with the Pinacoteca di Brera – it’s one of the most important art museums in Italy. Its galleries display works by Raphael, Mantegna, Caravaggio and Piero della Francesca. Since its founding in 1809, the museum has been a stronghold of painting and sculpture. Until September 2025.

The decision to place Armani’s creations alongside Renaissance masterpieces was groundbreaking. Chiara Rostagno, the museum’s deputy director, in a statement widely quoted by media, emphasized that fashion understood as decorative art is welcomed at Brera, creating a unique dialogue between the designer’s work, the museum, and artistic heritage

This gesture carries enormous significance. It places a fashion designer in the same pantheon as great painters, officially recognizing that clothing can be as powerful an artistic medium as a painting.

Why Brera? The Designer’s Personal Connection to the Neighborhood

The choice of location was no accident. Giorgio Armani consciously chose the Brera district as his place to live and work. He loved its “double soul – cultured yet deeply vital.” This artistic neighborhood, full of galleries, cafés, and creative energy, perfectly reflected his own aesthetic – refined yet full of life.

In 1993, the Academy of Fine Arts in Brera honored him with an academic title for the consistency of his style. Thirty-two years later, in the same place, his final show took place.

Over 120 Creations Among Masterpieces

The exhibition presents over 120 creations from different decades of Armani’s career, placed in direct proximity to artworks. The clothes weren’t hung randomly – each piece was carefully selected for a specific painting or room, creating pairings based on color, form, or mood.

Thoughtful Pairings

Giorgio Armani was personally involved in the exhibition’s concept until his final days – he personally selected over 120 creations from his archive and oversaw their placement throughout the museum’s halls. He created surprising pairings:

Invisible Mannequins – Clothes as Sculptures

A special detail is the nearly invisible mannequins. They were designed in such a way that they don’t distract from the clothes themselves – making the creations appear as if floating in air. This is deliberate. Armani’s clothes have such precise cuts that they resemble sculptures in themselves, and their construction perfectly captures the human silhouette even without a visible mannequin.

Angelo Crespi, director of the Pinacoteca, aptly noted:

“Giorgio Armani was one of the highest expressions of Italian creativity, which manifested itself in the essentiality and rigor of forms. This rigor evolved from aesthetic to ethical, permeating his way of living and working. In this, Giorgio Armani embodies Milan’s character to the highest degree.”

Giorgio Armani’s Last Show – September 28, 2025

Three weeks after the designer’s death, the Pinacoteca Brera courtyard hosted the show of his final collection “Pantelleria, Milano.” The event gathered 700 guests, including Cate Blanchett and Richard Gere. The courtyard was lit by hundreds of candles, with live music performed by Ludovico Einaudi.

The collection referenced two important places in Armani’s life – Milan and the island of Pantelleria. Models presented flowing creations in characteristic beiges and grays (“greige”) and shades of blue, green, purple, and navy inspired by the sea.

The show’s finale was Agnese Zogli’s outfit with Giorgio Armani’s portrait embroidered in crystals, which received a standing ovation. After the show, Leo Dell’Orco, the designer’s longtime collaborator, took a bow. Guests could then move inside the museum to view the “Milano, per amore” exhibition.

A Lesson in Humility: Education Over Ego

One of the most surprising aspects of the exhibition is its purpose. One might expect that a retrospective of 50 years of career would be a manifestation of ego. Armani saw it differently.

In his autobiographical book “Per amore,” he wrote:

“An exhibition can be viewed in two ways. On one hand, there’s the immediate satisfaction of the creator’s ego. On the other hand, there’s educational value, a unique testimony you can offer to the public, and especially to young creators, through your work: a feeling that lasts and provides satisfaction. Well, I’m interested in this second aspect.”

This statement underscores his humility and thinking about future generations. The exhibition wasn’t meant to be a celebration of his person, but an educational tool meant to inspire young creators.

Director Crespi recalled that Armani explicitly asked to “first let the artworks speak, because he didn’t feel worthy of having his work compared with pieces by Piero della Francesca and other great masters.” This humility toward the painters whose works his creations were placed alongside shows the designer’s deep respect for art.

Why Did Giorgio Armani’s Work End Up in a Museum?

To fully understand this exhibition’s significance, it’s worth recalling why Armani forever changed the face of world fashion. His greatest achievement was rejecting everything artificial and uncomfortable in fashion, replacing it with elegance you can move freely in.

Armani removed stiff linings and reinforcements from jackets, allowing clothes to naturally drape on the body and move with it. For the first time, elegance went hand in hand with comfort. Equally important was his color palette – instead of bright colors, he focused on subtle beiges and grays. His famous shade of “greige” (a combination of gray and beige) became the hallmark of refined style.

Cinema was the breakthrough moment. When Richard Gere appeared in the film “American Gigolo” (1980) wearing an Armani suit, the world saw a new image of masculinity – elegant but not stiff, confident but not arrogant. That one film cemented Armani’s position as the undisputed “King Giorgio” (Re Giorgio) of Italian fashion and opened doors to Hollywood.

Practical Information: How to Visit the Exhibition

If you’re planning a visit to Milan between September 2025 and January 2026, be sure to reserve time for this exhibition, especially if you’re interested in fashion or art.

Basic Information

Tickets

Additional Exhibition: Armani/Silos

If you’re fascinated by Armani’s work, it’s worth visiting Armani/Silos as well – a museum founded in 2015 for the brand’s 40th anniversary. It’s housed in a converted 1950s Nestlé warehouse that the designer renovated at a cost of nearly $55 million.

Currently, you can see the exhibition “Giorgio Armani Privé 2005-2025,” presenting 20 years of the haute couture line (until December 28, 2025).

How to Get to Pinacoteca Brera

The Pinacoteca is located in the historic centre of Milan, right in the heart of the Brera district. Getting there is very simple:

After visiting the exhibition, be sure to walk around the area – the Brera district is one of Milan’s most charming areas, full of art galleries, boutiques, and atmospheric cafés.

Summary: Why Is This Exhibition Worth Seeing?

The “Milano, per amore” exhibition is more than a display of beautiful clothes. It proves that fashion can be art on par with great canvases hanging in museums.

Giorgio Armani had a special bond with Milan. The city shaped him, and he spent half a century co-creating its image as a world fashion capital. Milanese loved him not only for his success in fashion, but above all because he embodied their city’s character – he was disciplined, elegant, innovative and open to new things, while maintaining humility and dedication to craftsmanship. After his death, thousands came to pay him tribute, showing how deeply he was etched in Milanese hearts.

Ta wystawa to szczególna okazja, by zobaczyć ostatnie dzieło mistrza przygotowywane przez niego osobiście do ostatnich dni życia. To również pierwszy raz w 200-letniej historii Pinakoteki, kiedy moda została uznana za pełnoprawną sztukę i stanęła obok dzieł Rafaela czy Caravaggia.

If you’re planning a visit to Milan between September 2025 and January 2026, it’s worth reserving time for this exhibition. It’s a rare chance to see how one person’s creativity has permanently inscribed itself in Milan’s history and world culture.

Sources:

Want to know more? Good, because we’re about to tell you how to get there, what to see, and where to grab tickets. Let’s go!

Key Facts About Back in Time: The Exhibition

Before we dive into the details, here’s a quick summary:

• What: An exhibition celebrating the 40th anniversary of Back to the Future.
• Where: Villa Beretta Magnaghi, via Roma 34, Marcallo con Casone (MI).
• When: Starts May 3, 2025.
• Tickets: On sale from March 14, 2025, on Fever Italia.
• How to get there: A4 highway (Marcallo-Mesero exit) or train to Magenta, then a short bus or taxi ride.

What to Expect at the “Back in Time” Exhibition in Milan?

Original Back to the Future Memorabilia

If you’ve ever wanted to see the stuff Marty McFly and Doc Brown held in their hands up close, you won’t be disappointed. Spanning over 2,000 square meters, there’ll be more than 100 authentic, certified exhibits – costumes, props, and unpublished documents straight from the set.

Iconic Vehicles – DeLorean and the Crew

The star of the show? Of course, the DeLorean DMC-12 Time Machine. It’s the same one you remember from the movie – close enough to touch, though don’t expect a ride, as they’re not handing out the keys :). You’ll also find the 1946 Ford that Biff tore around Hill Valley in, the Volkswagen T2 from the Libyan terrorists, and the Toyota Hilux SR5 – the ride Marty loved to show off. Most are solid replicas, but there’s a rumor the DeLorean carries VIN #10902 (Vehicle Identification Number) from Universal Studios. If true, it boosts its value, making it a real piece of cinema history, not just a copy.

Backstage Zone – Behind-the-Scenes Action

Looking at exhibits isn’t all there is – the organizers threw in a bonus backstage zone. You’ve got photos from the set, production papers, and short behind-the-scenes clips. Ever wondered how they pulled off those tricks in the ‘80s without today’s tech? You’ll find out here. For movie buffs, it’s an extra perk that might make you stick around a bit longer.

Back in Time: Where Did the Idea for This Exhibition Come From?

It all kicked off in 2015 in Turin, where a collection of Back to the Future memorabilia was first showcased. Then came an edition at Cartoomics in Milan, a stop in Bologna (2022–2023), and even a leap abroad to London in 2023. Each event drew crowds, so it’s no surprise it’s now back in grand style near Milan.

The year 2025 isn’t random – it marks exactly 40 years since the world first saw the trilogy’s debut film in 1985. It’s the perfect time to celebrate this classic that still holds up better than some modern blockbusters. Milan, or more precisely Marcallo con Casone, is the next stop on this nostalgic journey, and the organizers promise it’ll be the biggest and most polished edition yet.

What’s interesting is that it’s not just an event company behind it – there’s also Ritorno al Futuro Italia APS, a fan association active since 2021, pushing to promote the trilogy. They’re the ones making sure every detail, from the choice of exhibits to the vibe, captures the spirit of Back to the Future.

Practical information

Where Will the Exhibition Be Held?

The exhibition takes place at Villa Beretta Magnaghi, via Roma 34, in Marcallo con Casone – about a 30-minute drive from Milan and 20 minutes from Malpensa Airport. It’s a historic villa that probably doesn’t see crowds like this every day, but in May 2025, it’ll transform into a mecca for movie fans.

How to Get to the “Back in Time” Exhibition?

Arriving by Car

Got a car? It’s a breeze. Hop on the A4 highway, take the Marcallo-Mesero exit, and you’re there in 4 kilometers. The best part? Parking’s free – no ZTL zones or fees, which feels like a miracle near Milan. The drive from Milan takes about 30 minutes.

From Milan by Public Transport

No car? No worries. From Milan’s Central Station, grab a regional or fast regional train to Magenta – they run roughly every hour. From there, it’s just 2 kilometers to the villa, so you can take a Movibus bus (runs daily, hourly) or a taxi if you don’t feel like waiting. The whole trip takes around 40–50 minutes, depending on connections.

From Malpensa Airport

Landing at Malpensa? Villa Beretta Magnaghi is 25 kilometers away, about a 20-minute drive. If you’re not renting a car, you’ll need to go via Milan.

Tickets for Back in Time: The Exhibition – Where to Buy?

Tickets have been on sale since March 14, 2025, on the Fever Italia platform. There are several options available:

Opening hours aren’t set yet, but entry will be in timed slots – details will show up on Fever closer to the date.

Why Visit Back in Time: The Exhibition?

If lines like“Roads? Where we’re going, we don’t need roads” or“You’re weak, McFly! Weak like your old man!” are etched in your memory, this exhibition is definitely for you.

Not a trilogy fan but love movies? It’s still worth it. The exhibits reveal how films were made in the ‘80s before CGI took over – a slice of movie history served up in an easy, fun way, no boring lectures, just plenty of cool facts.

Summary

Back in Time: The Exhibition is like a real time-travel trip for Back to the Future fans and beyond. It kicks off May 3, 2025, at Villa Beretta Magnaghi near Milan, and tickets are available now on Fever Italia – sales started March 14. Getting there’s a breeze by car (A4 highway, Marcallo-Mesero exit) or from Milan by train to Magenta, then a quick bus or taxi ride. Expect original props, a DeLorean, and tons of memories from a trilogy that’s been on movie buffs’ lips for 40 years.

Don’t miss out – grab a ticket and get ready for a May getaway with Marty and Doc. As Doc Brown said, “Your future hasn’t been written yet” – but your plans for May 3rd can be!

Official website: Back in Time: The Exhibition

FAQ – Frequently Asked Questions About Back in Time: The Exhibition

Leonardo stayed in Milan for nearly twenty-five years. Here he painted “The Last Supper,” designed canal locks, received a vineyard from the duke, and fought to keep it for the rest of his life (he even mentioned it in his will). He drew flying machines, studied anatomy, and organized court spectacles with special effects.

The traces he left behind are scattered across the city: from Piazza della Scala, where his monument stands, to the area around today’s CityLife, where he reportedly lived. They’re grouped here by theme, so you don’t have to run from one end of Milan to the other. Pick what interests you most and fold other nearby attractions into your plan.

What works by Leonardo da Vinci can you see in Milan?

In Milan you can see, among other things, “The Last Supper,” the fresco in Sala delle Asse at the Sforza Castle, and “Portrait of a Musician” at the Pinacoteca Ambrosiana.

“The Last Supper” at Santa Maria delle Grazie

Let’s start with why most people look for Leonardo in Milan in the first place. “The Last Supper,” the artist’s most famous work, covers an entire wall of the refectory of the former Dominican monastery on Corso Magenta: 15 feet high, 29 feet wide. Leonardo painted it between 1495 and 1498, and being Leonardo, he had to experiment: instead of traditional fresco (paint on wet plaster, you have to work fast), he used tempera on a dry surface to have more time for corrections and shading. The approach achieved the desired effect, but proved fragile – the paint started flaking off while he was still alive.

Since then, the painting has undergone multiple restorations, not all of them successful. During the Napoleonic Wars, the refectory was even turned into a stable, and in 1943 a bomb hit the church roof. Fortunately, the wall with the painting miraculously survived. Decades of humidity took their toll as well. The last restoration, spanning over twenty years, was completed in 1999 and brought back the original colors where they had managed to survive.

Today, a maximum of 40 people are admitted per time slot, and visits last 15 minutes. Tickets are released three months in advance and sell out within days of going on sale. I realize this sounds like a logistical nightmare, but those 15 minutes have something truly special about them: the room is quiet, the painting is right there in front of you, and you suddenly understand why people fly here from the other side of the world.

Since December 2025, the museum has been managed by the Pinacoteca di Brera, though the reservation system itself hasn’t changed.

Details on tickets and proven strategies for securing a slot are in the dedicated Last Supper article.

More about the church itself: Santa Maria delle Grazie.

Krużganek Żab i stara zakrystia

While you’re at Santa Maria delle Grazie, it’s worth stepping into the Chiostro delle Rane (Cloister of the Frogs), the only cloister in the complex that’s open to visitors today. It’s part of the Bramante-led renovation that Donato Bramante carried out for Ludovico il Moro in the late 15th century. From the cloister, you pass into the Sacrestia Vecchia, or old sacristy – a large hall with frescoes and carved wooden cabinets that now serves as an exhibition space. This is where rotating displays of pages from Leonardo’s Codex Atlanticus are held, so you have a chance to see the genius’s original notes just a few dozen yards from his most famous painting.

Ritratto di Musico at the Pinacoteca Ambrosiana

After leaving the refectory, it’s worth heading to the city center, because a short metro ride away, at Piazza Pio XI, hangs one of the few surviving oil-on-panel paintings by Leonardo in Milan.

Ritratto di Musico, painted around 1485, was misidentified for a long time. It was believed to depict Ludovico Sforza himself. Only in 1905, during restoration, were later overpaintings removed, revealing a hand holding a sheet of musical notation in the lower portion. Since then, scholars have debated: some claim it’s Franchino Gaffurio, the chapel master of Milan’s cathedral, others point to the Franco-Flemish composer Josquin des Prez. There’s no certainty, and there probably never will be.

The painting hangs in the Pinacoteca Ambrosiana, so while you’re there you’ll also see Caravaggio’s “Basket of Fruit” and Raphael’s cartoon for “The School of Athens.” The museum was founded in 1618 by Cardinal Federico Borromeo – the same Borromeo that Manzoni wrote about in “The Betrothed.” It’s one of the oldest public museums in the world, yet many tourists walk right past it without knowing what’s inside.

Sala delle Asse at the Sforza Castle

A third work by Leonardo in Milan is about a fifteen-minute walk from the Pinacoteca Ambrosiana, at the Sforza Castle. Sala delle Asse is located on the ground floor of the northeast tower and features a decoration Leonardo created for Ludovico il Moro. Across the vault stretches an illusionistic pergola of mulberry branches, arranged in a geometric pattern full of the characteristic “Leonardo knots.” It’s not a painting in the traditional sense, but an architectural decoration: you stand inside and feel as if a canopy of real trees is spreading above you.

Sala delle Asse is part of the Castle Museums – one ticket gives you access to all the collections.

What is the Codex Atlanticus and where can you see it?

The Codex Atlanticus is the largest collection of Leonardo’s notes: 1,119 sheets housed at the Biblioteca Ambrosiana in Milan.

If you’re already at the Pinacoteca Ambrosiana or planning to visit, it’s worth going downstairs to the Biblioteca Ambrosiana as well. This is where the Codex Atlanticus is kept – the largest collection of Leonardo da Vinci’s notes, totaling 1,119 sheets. You’ll find everything in it: from studies on the flight of birds and designs for military machines to anatomical drawings, geometric analyses, and sketches of bridges. It’s not a coherent treatise, though – just a collection of notes, sketches, and ideas that Leonardo jotted down as they came to him.

The name “Atlanticus” has nothing to do with the ocean. It comes from the format of the sheets, which are larger than ordinary paper, resembling large atlases. For conservation reasons, the entire codex can’t be displayed at once, but the library regularly shows selected pages in temporary exhibitions. Some of them also make their way to the Sacrestia Vecchia at Santa Maria delle Grazie, mentioned above.

At the Sforza Castle, there’s another notebook: the Codex Trivulzianus (Codex Trivulzianus) from 1487-1490, kept in the Biblioteca Trivulziana. It contains architectural sketches and notes on fortifications, but also something touching: lists of Latin words that Leonardo taught himself, having never received a formal education – something that bothered him his entire life. The codex isn’t permanently on display, but check for current temporary exhibitions.

Where can you see Leonardo da Vinci’s inventions and machines?

The Museum of Science and Technology on Via San Vittore houses the world’s largest permanent exhibition dedicated to Leonardo as an engineer.

It’s just 300 meters from “The Last Supper.” Along the way, you can stop at the Basilica of Sant’Ambrogio, one of the oldest churches in the city, and explore the whole neighborhood in one go.

Leonardo da Vinci Museum of Science and Technology

The museum is housed in the former San Vittore monastery and covers 50,000 square meters of exhibition space. The main reason to come here is the Leonardo Galleries – about 170 machine models built from his drawings, from a tank design to a revolving bridge to a parachute prototype. On top of that, there are historical volumes and multimedia installations that show how these inventions were supposed to work and where Leonardo’s ideas came from.

The rest of the museum is a separate story: you’ll find sections on space, energy, and transportation, and in the garden sits a real Enrico Toti submarine that you can go inside. There are also interactive workshops for kids. The Leonardo Galleries alone take about two hours, but for the whole museum you’ll want to set aside half a day.

More about the museum: dedicated article.

Leonardo3 Museum in the Galleria Vittorio Emanuele II

If the Museum of Science and Technology shows Leonardo from a broad perspective, Leonardo3 focuses on a more interactive experience. It’s a smaller space with a completely different approach: machine models you can examine up close, digital reconstructions of his works, and multimedia presentations. The entrance is at Piazza della Scala, through the Galleria Vittorio Emanuele II, right next to Leonardo’s monument. The two museums complement each other well, showing Leonardo from two different angles.

Read more: Leonardo3 Museum.

How did Leonardo da Vinci change Milan’s canals?

Leonardo contributed to improving the lock system on the Navigli, and Conca dell’Incoronata on Via San Marco is today the only surviving trace of that system in central Milan. The site is free to visit and still offers a clear picture of how important the city’s canal network once was.

Leonardo wasn’t just a painter and a theoretical inventor. On Sforza’s commission, he also worked on the Navigli canal system, which in those days served as one of Milan’s most important transportation routes: goods, marble for the cathedral, and even passengers traveled along them. The only tangible trace of that work that survives in the city center to this day is Conca dell’Incoronata on Via San Marco.

This navigation lock from 1496, also known as Conca delle Gabelle, connected the Naviglio della Martesana to the inner ring of canals and allowed boats to navigate the difference in water levels between the two sections. It’s one of the most important surviving remnants of Leonardo’s hydraulic projects in central Milan. Restored in 2020, it now sits on a street corner between parked cars. Nobody sells tickets, there’s no line, no sign reading “Leonardo worked here.” Locals call the spot Le chiuse di Leonardo and keep walking.

What is Leonardo da Vinci’s vineyard in Milan?

Vigna di Leonardo is a historic vineyard on Corso Magenta, given to the artist by Ludovico Sforza in 1498 as payment for “The Last Supper.”

In 1498, Ludovico Sforza gave Leonardo a vineyard across the street from Santa Maria delle Grazie. It was his reward for “The Last Supper” – a small plot of land planted with Malvasia di Candia Aromatica vines. Leonardo grew so attached to it that after the French confiscated his property, he fought to get the vineyard back. He later left it in his will to his pupil Salaì and his servant Villani. In the 20th century, the vineyard was destroyed during the 1943 bombings, and in 2015 it was replanted for Expo Milano using DNA research and historical measurements.

In late 2022, Bernard Arnault, head of the LVMH group (Louis Vuitton), purchased the entire Casa degli Atellani complex including the vineyard. Since October 1, 2023, the property has been closed. There were announcements that part of the complex would reopen after renovation, but as of now there are no concrete details. From the outside, you can see the facade at Corso Magenta 65 and keep in mind that behind the wall lies Leonardo’s historic vineyard.

Cascina Bolla

There’s also a second location believed to be connected with Leonardo – Cascina Bolla at Via Paris Bordone 9, today in the CityLife area. In Leonardo’s time, this was countryside surrounded by fields and canals, and local tradition links it to the artist’s stay in Milan. According to local accounts, Leonardo would come here to rest from court life and his work on “The Last Supper.”

To be fair, there’s no hard historical evidence for this. Local tradition connects the place with Leonardo, but the documents don’t confirm it. In 2018, the property was purchased by Chinese entrepreneur Gordon Gu, and during Fuorisalone 2025 he opened it as an exhibition space. For now, there’s no certainty whether the site will be opened to the public again.

Leonardo da Vinci statue in Piazza della Scala

The Leonardo da Vinci monument from 1872 stands on Piazza della Scala, across from the La Scala opera house, and makes a great starting point for exploring the city center.

Back to the center, and to a spot where many people begin their day in Milan. On Piazza della Scala, across from La Scala, stands the Leonardo da Vinci monument by Pietro Magni, unveiled in 1872. The white marble Leonardo stands 4.40 meters tall, gazing down from a granite pedestal at the square. At his feet stand four pupils: Boltraffio, d’Oggiono, da Sesto, and Salaì.

The Milanese almost immediately nicknamed it “on liter in quatter,” which in the local dialect means “a liter bottle among four glasses.” Supposedly it was Giuseppe Rovani who cracked the joke over a glass of wine, and the name stuck for good.

From here it’s 2 minutes to the Galleria Vittorio Emanuele II (and to the Leonardo3 Museum), 5 minutes to the Duomo, and 15 minutes on foot to the Sforza Castle.

Leonardo da Vinci’s Horse at the San Siro Hippodrome

Leonardo’s Horse is a 23-foot equestrian sculpture at the San Siro Hippodrome, re-created in 1999 based on the artist’s Renaissance sketches.

To close things out, it’s worth venturing outside the center to the Ippodromo Snai San Siro, where the Cavallo di Leonardo stands – one of the largest equestrian sculptures in the world, installed at Piazzale dello Sport 6 since 1999. Its story began in 1482, when Ludovico il Moro commissioned Leonardo to design an enormous equestrian monument in honor of his father Francesco, but the artist never finished it. The modern bronze cast, made from Leonardo’s drawings by Nina Akamu, was realized thanks to the initiative of Charles Dent, who wanted to bring the project back to Milan. This is a spot for those who are heading to San Siro anyway or want to see the stadium and hippodrome on a single walk.

How to plan your Leonardo da Vinci trail through Milan?

One intensive day is enough for the key Leonardo sites. Two days let you explore at a more relaxed pace and combine these spots with other Milan attractions.

Pulling it all together: Leonardo’s sites are spread across the city but fall into logical geographic clusters. The table below should help you figure out what each one costs and how far it is from the nearest metro stop.

Is there a combined ticket for Leonardo sites?

There’s no single ticket covering all the Leonardo-related sites. In 2019, for the 500th anniversary of the artist’s death, Milan launched the “5xLeonardo” initiative, combining Cenacolo, Sforza Castle, Pinacoteca di Brera, Ambrosiana, and the Museum of Science and Technology in one ticket for €38. It was valid through 2020 and unfortunately hasn’t been renewed.

Each museum requires a separate ticket. There are, however, passes that partially help:

The Tourist MuseumCard (€12, valid 3 days) covers 8 municipal museums including the Sforza Castle, but doesn’t include The Last Supper or the Ambrosiana, since those are separate institutions.

The combined Duomo + Ambrosiana + San Sepolcro Crypt + cathedral terraces (via stairs) ticket costs €30 (€20 reduced, valid 3 days). It’s not strictly a “Leonardo” ticket, but it pairs the Ambrosiana (Portrait of a Musician, Codex Atlanticus) with the Duomo, so you’ll save in the process.

More on discount cards in the dedicated article.

How to spread out your sightseeing?

In theory, you can see the main Leonardo sites in a single day, especially since many of them are close together. The Last Supper, the Museum of Science, and Conca dell’Incoronata are all in the Corso Magenta area, while the Sforza Castle, Ambrosiana, and Leonardo3 cluster in the center. But the pace that kind of schedule demands takes the pleasure out of it.

Better to spread it over two days and combine with other attractions nearby. One day you explore the Corso Magenta area (Basilica of Sant’Ambrogio, the Navigli), the next the city center (Duomo, Galleria Vittorio Emanuele II, the Brera district). Leonardo fits naturally into both of these walks, without the need for a separate “trail.”

Find all places related to Leonardo da Vinci on Map

Leonardo’s presence in Milan doesn’t stop at the museum walls. You can feel it in the layout of the canals, in the geometry of the castle frescoes, in the vineyard that has survived five centuries behind a wall on Corso Magenta. This city was his home, workshop, and laboratory all at once, and his traces – scattered as they are across different neighborhoods – come together to form a picture of someone who wanted to understand absolutely everything. And that, I think, is why we keep coming back.

Sources:

Leonardo3 Museum, also known as “Il Mondo di Leonardo” (The World of Leonardo), is a unique venue located in the heart of Milan, in Galleria Vittorio Emanuele II, at Piazza della Scala. Opened in 2013, it has become a space where the life and works of Leonardo da Vinci are celebrated in a modern way. In this interactive exhibition center, visitors have the chance to immerse themselves in the world of this extraordinary Italian polymath, who was not only an artist but also an inventor ahead of his time. Leonardo3 is more than a museum; it is a journey into the mind of a genius whose legacy, created with a brush, a pen, and boundless curiosity, continues to inspire and amaze to this day.

The museum offers a unique experience where visitors can explore working models of Leonardo’s machines and digital reconstructions of his paintings. It provides an interactive journey through Leonardo’s inventions, allowing visitors to interact with physical models based on his designs and view digital exhibitions containing his notes and sketches.

History of the Leonardo Museum3

Opened on March 1, 2013, in Milan, “Il Mondo di Leonardo” began as a temporary exhibition. However, due to its growing popularity and dynamic exhibition development, it became a permanent institution, now considered a full-fledged museum.

The museum was founded by Maria Taddei, Massimiliano Lisa, and Edoardo Zanon. The founders and the Leonardo Research Center studied Leonardo da Vinci’s works for over 20 years, leading to the museum’s creation. The research center has produced interpretations and reconstructions of unpublished machines and experiences with artistic works that allow the museum to renew itself continually.

The museum warmly welcomes over 230,000 Italian and international guests every year. It’s constantly growing and surprising everyone with its amazing collection of Leonardo’s machines. You’ll find more than 200 interactive 3D models and working physical reconstructions, many of which you’ve probably never seen before!

The success of the Leonardo Museum3 lies in the uniqueness of its collections, which are the result of research conducted by the dedicated Leonardo Research Center3. Firmly convinced of the key role of culture in social development, the museum is actively engaged in initiatives to familiarize younger generations with the wealth of artistic and cultural heritage.

What you can see at the Leonardo museum3

Visitors can see interactive exhibitions of Leonardo da Vinci’s life and work at the museum. They can explore working models of machines designed by Leonardo and digital reconstructions of his paintings. Among the exhibits are interactive 3D reconstructions that provide a deeper understanding of Leonardo’s inventions and artistic works. The museum also displays Leonardo’s notes and sketches, which provide insight into the creative process of this outstanding artist and inventor.

Visitors can also participate in guided tours, family workshops, and educational programs for schools. The museum also organizes corporate events and team-building activities. The museum houses more than 200 interactive 3D models that offer an educational experience for both children and adults.

Museum opening hours

The Leonardo3 Museum in Milan is open daily from 9:30 AM to 9 PM

Please note that opening hours may vary depending on the season or special events. It’s always a good idea to check the latest information on the museum’s website or contact the museum directly before your planned visit.

How to get to the Leonardo Museum3

The museum is at the Galleria Victor Emmanuel II entrance from Piazza della Scala.

If you plan to reach the museum by public transport, the nearest metro station is Duomo M1/M3. You can also use other public transport options, such as buses (61) or trams (1 and 2). If you prefer to travel by car, the nearest underground parking is located at Piazza Meda. Alternatively, if you’re a tourist in Milan, you can use the Hop On Hop Off Bus service. This red, open, double-decker bus is designed specifically for tourists and allows you to move between various attractions.

Ticket prices

The Leonardo Museum3 offers various ticket options for visitors:

See more places related to Leonardo da Vinci in Milan

One of the first major exhibitions this year at Milan’s Palazzo Reale is an exhibition of 110 works by Keith Haring entitled “About Art.” Among them, many of enormous size, some never published or not exhibited in Italy.

Keith Haring is a contemporary American artist, an icon of the New York street art scene, who created in the currents of pop-arr and street art. He died in 1990 at the age of only 31. His first known works are chalk drawings in the New York subway immortalized in the photographs of Tseng Kwong Chi. Around the world, he is best known for his characteristic graffiti, expressive and kept in bright colors.

Dates

• from February 21 to June 18, 2017

Opening hours

Last entry one hour before closing.

Price

Other temporary exhibitions

Vincent van Gogh: An artist everyone talks about, but whom few actually know

Who was Vincent van Gogh really? This is a question many ask themselves, but the answer is not simple. Vincent, the legendary Dutch painter, has become synonymous with classical art. His paintings, full of emotion and vibrant colors, are an integral part of the canon of world art.

A late debut, but what talent! He didn’t start painting until he was nearly thirty, but quickly made up for lost time. In just a decade, he created more than 2,100 works, becoming one of the most prolific artists of his time.

Unique style. His paintings are recognizable at the first glance. From the swirling patterns of “Starry Night” to the vivid colors of the sunflower series, his style is both bold and emotional.

Personal challenges. Despite his genius, Vincent struggled with serious mental health issues. His life, full of ups and downs, tragically ended at the age of 37. However, his art remains a testament to his passion and perseverance.

Recognition after death. What’s interesting is that Vincent’s fame exploded only after his death. His masterpieces, once undervalued, are now celebrated around the world, fetching record prices at auction and adorning the walls of the most renowned museums.

The invisible hero: Theo van Gogh. Behind every great artist is someone who supports him. For Vincent, it was his brother Theo. Their bond was more than just siblings; Theo was Vincent’s biggest fan, both emotionally and financially.

Vincent van Gogh in Milan: an immersive journey beyond the paintings

Van Gogh: the man behind the myth

For many, the name “Vincent van Gogh” evokes images of sunflowers, starry nights and a tormented soul. However, the exhibition “Vincent van Gogh. Pittore colto” at Mudec seeks to dispel these stereotypes by offering a comprehensive look at an artist who was as much an intellectual as a painter.

An in-depth look into the world of Van Gogh

A plethora of masterpieces: Coming from the respected Kröller-Müller Museum in Otterlo, the Netherlands, the exhibition offers a treasure trove of some 40 masterpieces. They’re not just paintings; they’re windows into Van Gogh’s soul, tracing his evolution from a budding artist in the Netherlands to his transformative years in France.

Challenging stereotypes: This is no ordinary art exhibition. It’s a narrative that challenges long-held beliefs. Did you know that Van Gogh was an avid reader who was deeply influenced by contemporary literature? Or that he had a deep love for Japanese prints, which influenced many of his works? This exhibition promises revelations at every turn.

Influences and Inspirations: Explore Van Gogh’s inspirations, from the profound influence of Jean-François Millet’s rural paintings to his love of Japanese art. Discover how these influences shaped his work and worldview

Where. At the Mudec (Museo delle Culture), Milan’s “Temple of Culture.”

Strategic Location: Located in the vibrant Tortona neighborhood, Mudec is more than a museum; it’s a cultural landmark. Its location provides easy access, whether you are a local or a tourist visiting Milan.

Getting There: Whether you’re driving, cycling, or using public transport, reaching Mudec is very easy. With a large parking area, proximity to public transport hubs, and bike-sharing options, your journey into Van Gogh’s world is as simple as can be.

Tickets, sightseeing and unique experiences

Matching ticket options

The exhibition caters to a diverse audience, offering a plethora of ticket options. Whether you’re a solo visitor, family or school group, you’ll find a ticket tailored to your needs.

Ticket types and prices (according to the official website):

ickets can be purchased at TicketOne

Opening hours

* Note: The ticket office closes one hour before the end (last entry).

Guided tours

For those who want a deeper understanding, guided tours led by experienced experts offer an in-depth immersion into the world of Van Gogh. These are no ordinary tours; they are immersive experiences, each offering a unique perspective on the artist’s life and work.

Why visit this exhibition

Milan is no stranger to world-class exhibitions. However, the exhibition ” Vincent van Gogh. Pittore colto ” stands out not only for its masterpieces but also for its narrative. It’s not just about looking at art; it’s about experiencing it, understanding it, and seeing the world through Van Gogh’s eyes.

Moreover, the exhibition is a testament to Milan’s commitment to art and culture. Produced by 24 ORE Cultura and supported by Comune di Milano-Cultura, it is an event that celebrates the art, culture and timeless appeal of Vincent van Gogh.

In conclusion, the exhibition “Vincent van Gogh. Pittore colto” is more than an art exhibition; it is a journey. A journey that takes you through the backstreets of history, the corridors of art, and the very soul of Vincent van Gogh. So, if you are in Milan or planning a visit, make sure this exhibition is on your itinerary. After all, opportunities to rediscover a legend don’t come along often.

Leonardo da Vinci, a versatile man and genius, embodied the spirit of universalism of his era. A painter, sculptor, engineer, anatomist, musician, inventor, active in various fields of art and science, he is the most famous artist not only of the Renaissance but of all time and across the globe.

Exhibition

An exhibition dedicated to this versatile artist is open in Milan from April 16 to July 19, 2015. It is the most important monographic exhibition ever organized in Italy. It is sponsored by the city of Milan and the idea and organization is due to Palazzo Reale and Skira Publishing House. It is a unique opportunity to admire and understand the extraordinary complexity of Leonardo da Vinci’s genius.

The exhibition is divided into twelve sections, where visitors will be able to discover Genius’ multifaceted work through original notes, a collection of more than 100 drawings (about 30 of which are from the „Atlantic Code” collection), and many artworks drawings, manuscripts, sculptures, incunabula and 16th century works from the world’s most famous museums and libraries (such as the Louvre, the Royal Collection Trust, the British Museum, the Metropolitan in New York, the National Gallery in Washington, the Pinacoteca Ambrosiana and the Vatican Museums.)

Twelve episodes accompany visitors to discover the multifaceted activities of the Engineers through their original codes, more than a hundred signed drawings (about thirty of them from the famous „Atlantic Code”), and many works of art: drawings, manuscripts, sculptures, incunabula and XVI from the world’s most famous museums and libraries, including The Louvre, the Royal Collection Trust, the British Museum, the Metropolitan in New York, the National Gallery in Washington, the Pinacoteca Ambrosiana and the Vatican Museums.

EXPO 2015 (World Expo) is the perfect opportunity to host this magnificent Genius, an undisputed symbol of creativity and Italian art recognized worldwide.

The Leonardo da Vinci 1452 – 1519 exhibition is open from April 16 to July 19 during the hours:

Opening hours

• Monday: 2:30 p.m. – 7:30 p.m.
• Tuesday and Wednesday: 9.30 a.m. to 7.30 p.m.
• Thursday, Friday, Saturday and Sunday: from 9:30 a.m. to midnight

The ticket office closes an hour and a half before the exhibition closes.

Address: Palazzo Reale – Piazza del Duomo 12 – Milano

Ticket prices

• Normal: 12.00 euros
• Reduced: €10.00
• Groups: 10,00 euros
• Schools: 6,00 euros
• Family: 16,00 euros (1 adult + 1 child under 14)
• Blety łączone  (z audioprzewodnikiem):
  • Combination ticket with the „Visconti Sforza” exhibition OPEN: €20.00 (visit Leonardo’s on the day of purchase plus the second exhibition on any day)
  • Combination ticket with the „Visconti Sforza” exhibition ON THE SAME DAY: 18,00 euros

Tickets can also be purchased online, but in this case, the ticket is 1.5 euros more expensive. Purchase at VivaTicket.

See more places related to Leonardo da Vinci in Milan

EXPO 2015 Mediolan odbywać się będzie od 1 maja do 31 października 2015 r. Swój udział w EXPO 2015 zapowiedziało blisko 150 państw z całego świata. Wystawa organizowana jest przez Expo 2015 SpA, spółki założonej przez rząd włoski, region Lombardia, Prowincję Mediolan, miasto Mediolanu i Mediolańską Izbę Handlową. Jej hasłem przewodnim jest “Żywienie planety, energia dla życia” i zawiera wszystkie tematy z wyżywieniem, problemem braku żywności w niektórych regionach świata, edukacji w odżywianiu, jego jakością oraz wszelką tematykę powiązaną z GMO.

Technologies, innovations, culture, traditions, and creativity in connection with the food industry and food will be on the agenda. The main demand is the right to healthy, safe food and enough of it for all inhabitants of the earth.

EXPO 2015 Leading Topics

• Improving food quality and safety, with safety being considered having enough food to survive and consuming healthy food and drinking water;
• to provide quality and healthy food for all people to eliminate hunger, thirst, infant mortality and malnutrition;
• preventing nutrition-related social diseases, including obesity, cardiovascular disease, cancer and other widespread epidemics, emphasizing practices that enable effective treatment of these diseases;
• innovations in research, technology and the food industry as a whole to improve food nutrition, storage and distribution;
• emphasis on proper education on nutrition and the promotion of new lifestyles, especially among children, adolescents, people with disabilities and the elderly;
• expanding knowledge of “traditions in nutrition” as cultural and ethnic elements.
• preservation of biodiversity, protection of the environment as an agricultural ecosystem, and protection of food quality and safety.
• Identifying the best tools for monitoring and innovation, starting with biotechnologies that do not pose environmental and health risks, to ensure the availability of healthy and nutritious food and clean water for drinking and irrigation;
• to provide new sources of food in areas of the world where agriculture is undeveloped or threatened by desertification of land and forests, drought and famine, and depletion of fisheries.

EXPO 2015 Location

The area selected for the exhibition is located in the northwestern part of Milan and is 90% within Milan, with the remaining 10% in Rho. It covers an area of 110 hectares adjacent to the new Fiera Milano exhibition center.

The area was once occupied by industrial and manufacturing facilities and later used for agricultural, logistical, and municipal service purposes. The exhibition space was created in the form of an island surrounded by a water canal and is centered along two perpendicular axes: World Avenue (decumanus) and the intersecting “cardo,” inspired by the architecture of Roman cities. According to the principle of equality, all national pavilions are located along a grand boulevard that is 1.5 km long and 35 meters wide.

Along the cardo, 325 meters long and 35 meters wide, pavilions of Italian regions and provinces are organized. At the confluence of the two axes is a large square (Piazza Italia) with an area of 4,350 square meters. At the northern end of the cardo is Palazzo Italia, which is the pavilion of the exhibition organizer, overlooking Lake Arena, a lake arena 98 meters in diameter. At the southern end of the Cardo is the Open Air Theater, which covers an area of about 10,000 square meters and has a total seating capacity of about 9,000.

At the ends of the decumanus, on the other hand, it is planned to place a large artificial hill (with a volume of 82,800 cubic meters) on one side, while the Expo Center, consisting of three independent functional blocks: an auditorium (south block), a performance area (central block) and a building with offices (north block), totaling about 6,300 square meters. The first two blocks are to be dismantled after the Expo ends while the building with offices will remain. The two main entrances to the expo, to the south and west, connect the cascina Merlata area and and the suburban section of the Fiera Milano exhibition center, respectively.

Getting to EXPO 2015

You can reach the exhibition by using the red line of the Milan Metro MM1 and getting off at the Rho Fiera station, which connects the exhibition with the city center. Alternatively, you can also get off at the Rho Fiera Milano railway station, using the suburban or regional train lines. For more information about the transportation network, visit the Public Transport in Milan page.

Wystawa znajduje się również w pobliżu autostrad: A4, A8 i A9 Mediolan-Como-Laghi. Łatwo jest również dojechać z jednego z trzech lombardzkich lotnisk: mediolańskich Malpensa i Linate bądź Orio al Serio w Bergamo. Wystawa będzie również połączona z miastem dzięki projektowi “Via d’Acqua”, który obejmuje przebudowę stacji dokującej (przy piazza XXIV Maggio i odcinków Naviglio w celu połączenia centrum miasta z Expo 2015 wzdłuż ścieżki dla pieszo-rowerowej, która biegnie przez Parco delle Cave.